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The Witching Hour
In the ungodly hours of the evening,
Oddities trace alongside the cracks of wallpaper, thinned and torn with age.
Traces of moonlight sprinkle between the shuttered blinds.
Darting back and forth, shifting the space from raven to alabaster.
Though, in between the moments of their conflicting dance,
Lies a moderate figure, forcing a calm between forces.
Towards the end of the hall, this figure dwells.
Its looming presence commanding attention,
Of even an atom’s alchemy mingling in the air.
A faint scent of pine and driftwood lingers between such atoms.
Golden-encrusted moulding mimics palace jewels,
Asserting aristocracy over those who dare to listen.
The stiffened silence is broken by its soft ticking.
Oh how the ticking tantalizes,
Each second growing smaller,
Each minute making martyrs,
And each hour damning us to hell.
With each passing of the dreaded hand,
The figure’s ego grows tenfold.
The space quakes with an acquired anguish,
Not a peep can be heard throughout the ink-blotted sky.
The raven nor alabaster dare to continue their ballet.
Ghosts of our former glory,
We dare not interrupt the inevitable.
The figure’s hand materializes a gateway between
Normalcy and the devil’s playground.
Alas the moment grows nearer,
Mere seconds between all that is unholy.
Twelve frightful chimes sound throughout the withered night.
(chime) Everything stills.
(two chimes) A light, thumping pulse.
(three chimes) Warm, dripping blood frosts to sheen.
(four chimes) Jagged fingernails scrape against the aged wallpaper.
(five chimes) Burned out candles pool puddles of wax.
(six chimes) Lucifer’s lucky gambling number.
(seven chimes) A noticeable barometric shift in the air pressure.
(eight chimes) The corridors of our minds crackle and crunch.
(nine chimes) Walls closing in.
(ten chimes) As above, so below.
(eleven chimes) Hell empties, for all the devils are here.
The witching hour is upon us,
May God save our souls.
Madam President, Madam Vice President,
Roots. Reaching into the depths of the earth, coupling the minerals
and memories of the rotting bygone.
In the way the willow tree hums in the wind, its branches brushing against a
supple spring and its
roots too grasp for the knowledge within.
The pine and evergreen, the oak, the birch, the sycamore all singing the songs
of our youth. For the tips of our fingers reach back into the dirt and unearth a
Flecks of sapphire mix with cobalt to make the stars in our eyes, glossed over
with a sheen of light and reason.
We have seen feet pad against the grass, racing to reach a dream just out of
Tasted our mothers’ spoon-fed batter against our tongues, hoping to one day
recreate her perfection.
Listened to our grandmothers’ honeyed and high-pitched tales of swords,
dragons, and the dashing prince racing to rescue a princess.
Touched the brink and brisk of an impenetrable abyss, lingering in the backs of
And smelled the sense of victory amongst champions when we finally broke the
For the perturbed and convulsed earth trickling from our palms, tells the same
I am strong because strong women have raised me.
We have built a livelihood from each individual brick, formed of red clay and
Each passing though the palms of our hands, spackled across generations; today,
we finally lay the last one to rest.
The last piece of the jigsaw, each duck carefully tucked in its row, each
uncracked eggshell lying in a woven basket.
Each convention, each protest, each march just to gain the unalienable rights
gifted to us by our creator.
For his word claims that the roots traced along the lines in our hands,
connected to our heartstrings, give us a spot under our own vine and fig tree.
And that we shall not be afraid.
Each revolutionary, each insubordinate, each subversive movement falling from
the sky, like drops of rain or glistening snowflakes.
For they have broken the shackles that bind women to a simple household.
But well behaved women rarely make history.
Every Audrey Hepburn,
Every Wilma Mankiller,
Every Helen Keller,
Every Amelia Earhart,
Elizabeth Cady Stanton,
Louisa May Alcott,
Every Ruth Bader Ginsburg,
Every Gloria Steinem,
Every Kamala Harris,
Every working mother, or loving grandmother, or sagacious great-
And every daughter, amassed in her youth, looking to her predecessors for
Grasp the roots that couple memories and minerals and bind them together in
Interlock images and ancestors to sing out the songs of this great nation.
Of the triumphs and the failures of what it means to be female.
On this momentous day, we call back to the pine and evergreen, the oak, the
birch, the sycamore.
To their deep treaded stories amongst the lush earth,
And to dig just below the surface of soil,
To reach our
Gabrielle is a junior and currently holds the managing editor position for her school’s own literary magazine titled, The Archetype. She has always been involved in the arts, whether it be singing at vocal lessons on Thursdays, continuing her dance education of 14+ years, or acting in her school’s theatre and One Act productions. However, writing and English literature have always been some of her favorite passions! Over the course of her writing career, Gabrielle has entered in as many writing competitions as she can manage; for example, the Young Georgia Authors Writing Competition. She has placed first in district two years in a row for her pieces “Seven Deadly Sins” and Of Heaven and Earth: A Collection of Poetry respectively. She has also entered pieces in the nationally renowned Scholastic Art and Writing Awards, receiving a regional gold key for her critical essay piece, “The Disney Princess Debacle.” In addition, Gabrielle has also been selected as a Communicative Arts major finalist for the Georgia Governor’s Honors Program. She is beyond grateful and excited to attend the intensive program this coming summer! Her seriousness for her writing career has led her to wanting to pursue writing outside of her formal education. In college, Gabrielle hopes to study English, International Studies, or Broadcast Journalism and would love to work for the United Nations in the future.